Sufis Entangled

Abstract

While revisiting the film Sufis Entangled ten years after its release, the three filmmakers engage in questions of production, form, and historical context. The essays that constitute this piece highlight the intricate ways in which cultural-religious conflicts are enmeshed in the material realities of the filmmaking process.

Keywords

• Sufism
• India
• Kashmir
• entanglement
• new materialities