Gaspar de Crayer within the Prism of Classicism of Guido Reni. The Ecce Homo from the Convent of Santa Paula in Seville

Abstract

An unknown Ecce Homo by Gaspar de Crayer, preserved in the convent of Santa Paula in Seville, is have presented. It also highlights the stylistic relationship between the religious-themed works of this Flemish painter and those of Guido Reni, to whose circle this canvas was attributed until now, as well as the influence it could have had on the Sevillian pictorial school.

Keywords

• ecce homo
• gaspar de crayer
• guido reni
• bartolomé esteban murillo
• sevilla
• siglo xvii
• relaciones culturales internacionales.