The historical and architectural origins of palace buildings in the Kumbum Monastery from a multicultural perspective

Abstract

The Kumbum Monastery is a typical example of a Tibetan Buddhist monastery in China. This study focuses on 12 palace buildings within the Kumbum Monastery and aims to clarify the historical origins of their architecture, the regional architectural characteristics, and the influence of multiple cultures on the monastery. The study uses typological approaches and quantitative methods to analyze the architecture’s characteristics and origins (spatial layout, architectural forms, construction technology, and decorative elements). This paper attempts to provide a typological approach for the study of the history of the architextures in the Kumbum Monastery as well as a comprehensive understanding of the architecture through a culturally pluralistic perspective. The analysis shows that 1) the palace buildings are a complex mixture of traditional Tibetan architecture, Han-style architecture from the Central Plains during the Ming and Qing Dynasties, and arched buildings from Central Asia and Inner Mongolia; 2) the palace buildings localized different cultures and reshaped their spatial modeling and spatial meaning through the means of “hybridity” and “adjustment”; 3) the complex multicultural nature of the palace buildings is due to the comprehensive influence of political changes, religious dissemination, trade and transportation, and ethnic migration from the Ming Dynasty to the Republic of China.

Keywords

• tibetan buddhist monastery
• palace buildings
• architectural origins
• architectural history
• multiculturalism